"Never in my life had I confessed so much or received so many confessions. The sincerity and artlessness with which she discussed what she called her “love-life,” from first necking to connubial catch-as-catch-can, were, ethically, in striking contrast with my glib compositions, but technically the two sets were congeneric since both were affected by the same stuff (soap operas, psychoanalysis and cheap novelettes) upon which I drew for my characters and she for her mode of expression."